Center for Environmental Arts & Humanities
The Center for Environmental Arts & Humanities (CEAH) is an interdisciplinary biodiversity and climate change initiative at UNM.
The CEAH fosters research-based creative practices and scholarship in environmental humanities to addressâwhat many people considerâare the two most consequential planetary-scale crises in human history: âbiological annihilationâ, which includes species extinctions and population declines; and âclimate breakdownâ, variously called, climate change, climate emergency, and global warming.
About the Center for Environmental Arts & Humanities
At the historic 1992 âEarth Summitâ in Rio de Janeiro, the United Nations acknowledged the severity and significance of both climate and the biodiversity crises and established two separate institutions: the UN Framework Convention on Climate Change (UNFCCC), to address the climate crisis; and the Convention on Biological Diversity (CBD), to address the biodiversity crisis. The efforts of the UNFCCC led to the Paris (Climate) Agreement in 2015; and the efforts of the CBD led to the Kunming-Montreal Global Biodiversity Framework in 2022.
While attentive to scientific knowledge and the UN science-policy initiatives, the research and creative practices at CEAH are foregrounded in arts, culture, and humanities. Some of the key concepts and themes that the CEAH-supported artists and scholars focus on areâmultispecies coexistence, kinship, caretaking, and justice; rights-based biodiversity conservation; and climate and environmental justice. Our work is place-based and community-engaged, and span from local (Albuquerque and New Mexico) and regional (the US southwest), to transnational (US-Mexico and US-Canada borderlands) and global (Alaska to Aotearoa; Sundarban to Siberia).
Director's Welcome
Greetings from the New Mexico desert! Thank you for visiting the webpage of the Center for Environmental Arts and Humanities.
The Center for Environmental Arts & Humanities is able to bring together research-based creative practices and scholarship in environmental humanities within a single initiative in part because of how the Department of Art is structured, which includes three distinct areas under the same roof: art education; art history; and studio arts. From that disciplinary home, the CEAH serves the whole academic community of UNM. Our students, undergraduate and graduate, and faculty collaborators come from a number of colleges, departments, centers, and institutes from across the UNM, including the College of Fine Arts, School of Architecture and Planning, College of Arts & Sciences, Indigenous Design + Planning Institute, and the Center for Regional Studies, to name just a few.
Beyond UNM, the CEAH works with academic, cultural, government and non-governmental institutions in New Mexico and across North America, and many parts of the world.
We aim to build bridges across academic disciplinary silos; between academia and communities; across peoples and places; and across time.
With exhibitions, publications, and eventsâthe CEAH produces and disseminates knowledge and advances public literacy about our precarious timeâa time in which we are a witness to human-caused âbiological annihilationâ and âclimate breakdownâ. We offer support to students, scholars and professional artists through a combination of programs: the Native American Environmental Arts and Humanities Scholarship for undergraduate students; the graduate Art & Ecology fellowship; the Artist-in-Residence program for established artists; and support to visiting artists and scholars, and to our collaborating institutions.
I encourage you to read the various illustrated CEAH pages and explore the weblinks that you will find to learn more about our work.
âSubhankar Banerjee, founding director, CEAH at UNM
Origin Story
In a May 2017 grant proposal to the Mellon Foundation, we articulated a vision and the need to establish an interdisciplinary arts and humanities center at UNM. Over a three-year period, from 2017 through 2019, faculty members and students from across UNM, in partnership with academic and cultural institutions, organized a number of regional, national, and transnational creative and scholarly events that collectively addressed biodiversity and the climate crises, Indigenous rights, and environmental and climate justice. Two conferences, Decolonizing Nature (2017), and the last oil (2018); and an exhibition, Species in Peril Along the Rio Grande (2019), helped build a community of cohorts and a foundation on which the Center for Environmental Arts & Humanities was established in April 2020.
On April 6, 2020, in the midst of the coronavirus pandemic, just as cities, states and nations were starting to institute lockdowns to contain the spread of Covid-19âthe Center for Environmental Arts & Humanities was established with support from a five-year (2017-2022) seed grant from the Mellon Foundation, as a Category I interdisciplinary research center in the Department of Art of the College of Fine Arts at the University of New Mexico.
Few months after its founding, in Fall 2020, the CEAH organized the Biodiversity Webinar Series, in which then-US Senator Tom Udall served as the honorary co-host.
The following year, Center for Environmental Arts & Humanities was invited to participate in a Venice Biennale exhibition. The CEAH, in partnership with the Environmental Studies Department at Davidson College, co-produced âa Library, a Classroom, and the World,â which was included in the 2022 Venice Biennale art exhibition Personal Structures organized by the European Cultural Centre (ECC) in Venice, Italy. Personal Structures included 192 projects (or participants) from 51 countries and was seen by over 500,000 visitors from around the world during its seven-month display from April through November 2022. At the closing ceremony, âa Library, a Classroom, and the Worldâ received the ECC Award for University and Research Project.
In August 2022, the CEAH received a renewal grant (2022-2026) from the Mellon Foundation to âsupport the continuation of the Centerâs exploration of environmental issues through creative inquiry, practice, and pedagogy.â
The following year, back at UNM, the CEAH produced a small exhibition, Postcards Are for Active Participation, Not for Passive Viewing, with works by twenty undergraduate students who at the time were studying in five different colleges at UNM. The exhibition was hosted at the UNM Fine Arts & Design Library, May 3 â July 7, 2023.
What We Are Working On
The Center for Environmental Arts & Humanities (CEAH) is currently collaborating with the Albuquerque Museum to co-produce an exhibition, Coexistence: Biodiversity in New Mexico, which will honor and celebrate New Mexicoâs vibrant biodiversity and the coexistence of human and nonhuman life, spanning from the late-Pleistocene to the present day. The exhibition, which is generously supported by the CEAH and its Artist-in-Residence program, will include works by nationally renowned artists as well as a team of graduate and undergraduate students and recent alumni of UNM, New Mexico State University, and Harvard University. These newly created works will be paired with other contemporary and historic works borrowed from the collections of leading arts and cultural institutions, including the Albuquerque Museum, the UNM Art Museum, and the Smithsonian American Art Museum, to name just a few. The exhibition will be accompanied by a richly illustrated and expansive book that will include vital perspectives by leadings thinkers working across the visual arts, environmental humanities, natural and social sciences, and biodiversity conservation. This substantial companion text will be published with the launch of the exhibition in June 2026. Professor Subhankar Banerjee, Director of CEAH, and Dr. Josie Lopez, Head Curator and Curator of Art at the Albuquerque Museum, will co-curate the exhibition and co-edit the book, with assistance from Dr. William Gassaway, Assistant Curator at the Albuquerque Museum, and Ryan Henel, Research Lecturer III at CEAH.
Coexistence: Biodiversity in New Mexico will be on view at the Albuquerque Museum from June 20, 2026 through February 7, 2027.
The Center for Environmental Arts & Humanities is also in conversation with the Anchorage Museum in Alaska to co-produce two separate exhibitions, one of which will focus on the Indigenous-run Alaska newspaper Tundra Times, 1962-1997, which contributed significantly to helping secure subsistence and other cultural and social rights for the Indigenous peoples in Alaska; and the other will be on the global history and epic migrations of shorebirds, Shorebirds in Modern Times. Both projects will be accompanied by scholarly publications.
Recent and Forthcoming Publications
Along with exhibitions and events, the Center for Environmental Arts & Humanities contributes to the advancement of environmental knowledge and public literacy, through publicationsâbooks, book chapters, journal essays, and public writing. In addition to the exhibitions-attached books mentioned in the 'Exhibitions' section, we list below a small selection of recent publications by faculty and students at UNM (supported by CEAH) and collaborators at other institutions; and a few important publications by colleagues in which our work is discussed.
Subhankar Banerjee, âPeripatetic Photography: Crossing Borders, Building Bridges,â in Global Photography: A Critical History, by Terri Weissman, Erina Duganne and Heather Diack (Routledge, 2020).
Senator Tom Udall and Subhankar Banerjee, âWe Must Mobilize to Avert a Lonely Earth,â Scientific American, October 20, 2020.
T.J. Demos, Emily Eliza Scott, and Subhankar Banerjee, eds. Routledge Companion to Contemporary Art, Visual Culture and Climate Change (Routledge, 2021; paperback 2023).
Eleonora Edreva, âOlfactory Resistance at the End of the World,â in Olfactory Art and the Political in an Age of Resistance, edited by Gwenn-AĂ«l Lynn and Debra Riley Parr (Routledge, 2021).
Alexandria Zuniga de DĂłchas, âEnsuring biodiversity is up to us,â Santa Fe New Mexican, December 11, 2021.
Finis Dunaway, Defending the Arctic Refuge: A Photographer, an Indigenous Nation, and a Fight for Environmental Justice (University of North Carolina Press, 2021).
Karl Kusserow, ed. Picture Ecology: Art and Ecocriticism in Planetary Perspective (Princeton University Art Museum, 2021).
Jackson Larson, Make Haste Slowly: Pietro Bemboâs Influence on the Printed Word, A Short Reflection, included in âa Library, a Classroom, and the Worldâ project of the 2022 Venice Biennale art exhibition Personal Structures (UNM CEAH and the European Cultural Centre, 2022).
Subhankar Banerjee, âForeword,â in Audubon at Sea: The Coastal and Transatlantic Adventures of John James Audubon, edited by Christoph Irmscher and Richard J. King (The University of Chicago Press, 2022).
Lisa E. Bloom, Climate Change and the New Polar Aesthetics: Artists Reimagine the Arctic and Antarctic (Duke University Press, 2022).
Subhankar Banerjee and Finis Dunaway, âBeyond Fortress Conservation: Postcards of Biodiversity and Justice,â Environmental History, vol. 28 no. 1, January 2023, 180-207.
Jennifer Garcia Peacock, âZeke Pena: Illustrating Chicanx Environmental Justice Histories in the Rio Grande Watershed,â in The Routledge Companion to Art and Activism in the Twenty-First Century, edited by Lesley Shipley and Mey-Yen Moriuchi (Routledge, 2023).
Juliana RamĂrez Herrera, âThe bio-art history of care: mummy-sculptures of the Atacama desert,â Sculpture Journal, volume 32, issue 2, June 2023, 157-174.
Leah Modigliani, Counter Revanchist Art in the Global City: Walls, Blockades, and Barricades as Repertoires of Creative Action (Routledge, 2023).
Subhankar Banerjee, âVisualizing Staying Together: Multispecies Kinship, Caretaking, Justice, and Rebellion,â in Staying Together: Nature-culture in a Changing World, edited by Kaushani Mondal (Lexington Books, Rowman and Littlefield, âEnvironment and Societyâ series, 2024).
Jennifer Garcia Peacock, âOur Classroom: Reflections on Teaching Global Environmental Justice Art in the Venice Lagoon,â in Staying Together: Nature-culture in a Changing World, edited by Kaushani Mondal (Lexington Books, Rowman and Littlefield, âEnvironment and Societyâ series, 2024).
Subhankar Banerjee and Finis Dunaway, âTracks, Traces, and Signs: Multispecies Justice in the River Deltas of Arctic Alaska and Sundarban,â in River Delta Futures: Endangered Communities in Audiovisual Media, edited by Francisco-J. HernĂĄndez AdriĂĄn and Angelos Theocharis (Bloomsbury Academic, âGlobal Challenges in Environmental Humanitiesâ series, forthcoming 2024).
Subhankar Banerjee and Finis Dunaway, âBeyond Fortress Conservation: A Global History of Biodiversity and Justiceâ (provisional book title).
CEAH Faculty & Staff
Subhankar Banerjee
Professor, Art & Ecology
Founding Director, CEAH
Clarence Cruz
Associate Professor, Ceramics
CEAH Native American Scholarship Committee
Meg Elcock
Scholarship Support
Academics Coordinator, Department of Art
Dr. Marcella Ernest (Ojibwe)
Assistant Professor, Art History
CEAH Native American Scholarship Committee
Lecturer II Art History
CEAH Native American Scholarship Committee
Ryan Henel
Research Lecturer III
CEAH
Jacklyn Le
Administrative Assistant, Department of Art
Webpage Support
Ellen Peabody
Department of Art Administrator
Administrative Support
Danette Petersen
Accountant II, Department of Art
Accounting Support
Support
The Center for Environmental Arts & Humanities offer support to students, scholars and professional artists through a combination of programs: the Native American Environmental Arts and Humanities Scholarship for undergraduate students; graduate fellowships and scholarships; the Artist-in-Residence program for established artists; and support to visiting artists and scholars, and to our collaborating institutions.
We are honored to celebrate the work of the artists of the CEAH Artist-in-Residence program, all of whom either hail from or currently reside in New Mexico: Chicano cartoonist and storyteller Zeke Peña (2020-2021); DinĂ© and Chicana painter and muralist Nanibah âNaniâ Chacon (2023-2024); Piro Manso Tiwa painter, muralist, poet, and tribal historian Diego Medina (2024); science illustrator Karen Carr (2024); and African American mixed media artist Paula Wilson (2024-2025). Their work, along with the works by students supported by the CEAH, will form the core of the exhibition, Coexistence: Biodiversity in New Mexico, which the CEAH will be co-producing with the Albuquerque Museum.
News
Professor Subhankar Banerjee, Director of CEAH, has been appointed the 45th Ashley Fellow of Trent University in Canada, 2024-2025.
âPostcard exhibition invites audience contributions,â UNM News, May 1, 2023.
Mary Beth King. âUNM group receives award for Venice Biennale project,â UNM News, December 20, 2022.Â
âa Library, a Classroom, and the Worldâ received the 2022 ECC Award for University and Research Project. âa Library, a Classroom, and the Worldâ was co-produced by CEAH and the Environmental Studies Department at Davidson College, and was included in the 2022 Venice Biennale art exhibition Personal Structures, organized by the European Cultural Centre in Venice, Italy, April 23 â November 27, 2022.
Michael Abatemarco. âQueen of the Adriatic receives UNM,â Santa Fe New Mexican, September 30, 2022.
Ivan Leonard. âGoing International: UNM represented at prestigious art expo in Venice,â Albuquerque Journal, June 29, 2022.
Mary Beth King, âUNM group participates in prestigious Venice art exhibition,â UNM News
Select Webinars
The Wonder of Birds: Online Art Lecture Series
Museum of American Bird Art, Mass Audubon, Spring 2024
Webinar Series: Mass Extinction: Art, Ritual, Story, and the Sacred
Yale Institute of Sacred Music, Yale University, Spring 2023
On âa Library, a Classroom, and the Worldâ
(CEAH contribution to Venice Biennale exhibition Personal Structures)
San Francisco Public Library, July 31, 2022
Author Conversation: Picture Ecology
Princeton University Art Museum, December 9, 2021
Keynote lecture, âHave you seen a species go extinct?â, Re-MEDIAting the Wild international conference
International Environmental Communication Association, June 21, 2021
Zeke Peña: CEAH inaugural Artist-in-Residence lecture
Co-hosted by CEAH and the UNM Art Museum, April 5, 2021
Book Launch: Routledge Companion to Contemporary Art, Visual Culture, and Climate Change
Co-hosted by University of Oregonâs Center for Environmental Futures, UCSCâs Center for Creative Ecologies, and UNMâs CEAH, April 2, 2021
Visualizing Global Biodiversity: Toward an Understanding of Sacred Places and Relations
(Art, Faith, and Social Justice Lecture Series)
Co-hosted by Institute of Sacred Music and McMillan Center South Asian Studies Council, Yale University, January 28, 2021
UNM Biodiversity Webinar Series
Presented by the Species in Peril project (later subsumed into CEAH) with US Senator Tom Udall as honorary co-host, Fall 2020